Ver en Cuevana. Manipulation of a fragment from the past. A study and an improvisational description of the “forwardness (of time)." Initially, it suggests a form of development and passage, but the presence of sound, the glass, and its reflections denote a physical separation in the space, alluding to a "preservation" akin to that of a laboratory or an aquarium. Rather than limiting itself to a binary opposition, the work attempts to discuss a perplexity that exists between what can be controlled and what cannot.