Ver en Cuevana. In Ghassan Salhab’s recent short filmic poems and political documentaries, he deliberately uses minimal images to make eloquent expressions of the desire for a new reality. As Salhab puts it: “The uprising in Lebanon was seriously starting to run out of steam; the first lockdown abruptly interrupted it, temporarily, we think. Now, as Bernard Noël Wrote, we must raise our fists and fight the memory.”