Ver en Cuevana. Although constructed from thousands of still images of Chicago, ENDLESS maintains a complex relationship to the photographic image. Time and space seem to compress or implode into a contradictory experience - one which is fluid, yet static, sculptural, yet two-dimensional, of the present yet of the past. The images are layered vertically, 'endless' variations of time and space unable to be contained within the fixed boundaries of the film frame.