Ver en Cuevana. “That was a film about a person who had a mystical religious experience. The idea entitled is the early stage of foetal development, the point when the foetus can become either male or female, so it’s a hermaphroditic stage. Somehow that had something to do with this person making a choice, a decision. Could go both ways, in a spiritual sense. I lost the film, and I expect it was rather ambiguous anyway. It was more or less an excuse to make some visuals and had images of church architecture, religious statues and things. I think it was influenced throughout by Gregory Markopoulos’ films.” (George Landow, interviewed by Tony Reveaux, 1977)